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Musically at least, this is indeed a remake of MC Shan's original "Juice Crew Law," with the All Stars rocking Marley's original instrumental. Well, at least they use it as the base. DSK mixes in additional musical samples, and the All Stars layer a wealth of turntablism over the top. Not only are there cuts in the hook like you'd expect, but the segment that would traditionally be the third verse is dedicated to just a killer stuttering slaughter of The Choice MCs' "Beat Of the Street." Yep, the All Stars aren't all MCs. Specifically, they're MCs Chrome and Whirlwind D (who I think I might've mentioned here once or twice before) and DJ/ producers Specifik and Mr. Wonderful. I'm not 100% certain, but from what I've been able to glean, I believe DSK produced the track and Specifik and Wonderful do all the scratches.
This is a pretty fun update on a classic. You might ask who needs a new "Juice Crew Law" when we have the original, a question that usually brings most remakes to their knees. Even assuming the remake's good, why listen to it when you can listen to the classic, right? Well, this one adds a lot, with additional instrumentation flushing it out and the cuts are killer. Not that the original didn't have any good ones, especially the 12" version. But there's definitely enough fresh elements in the mix to make you yearn to relisten to the this version specifically.
Plus, let's be honest, Shan wasn't above the occasional corny line ("my rhymes say more than a tasket, a tisket. Too clever, yo, I never go out like a biscuit." "The same theory if the words don't fit; got the nerve to get on stage and wanna sing that ____? Wait a minute, wait just a second. You know that's not my style. 'Sorry, just checking!'"). While rhymes praising break-dancers by their nature don't hit as hard as aggressive battle rhymes directed towards Krs-One, I'm happy to report the verses are 100% free of cringe moments. And I don't know about you, but while I have been able to overlook some infamous examples in my childhood favorites, that's a pretty crucial standard to meet for my listening enjoyment of any song at any time.
Still, if all of this isn't enough to compel you to seek out a copy for your own yet, let me tell you about the B-side. DSK has another song for us, "Check Out the Technique" featuring Akil of Jurassic 5 (making this a tri-continental effort) and London MC Mystro (here billed as Mysdiggi). This has similar themes, but is more of a general tribute to Hip-Hop, rather than any specific crew. As Akil details, "no matter the element, the culture pushed excellence, dedicated freshness, hard work and messages. We pushed the limit: go all out to win it. From start to finish, we get in it, we created our own lane of genre, built it up proper, B-boys and poppers, DJs and lockers, MCs and graf writers, Soulsonic fire fighters; we loved it, we lived it, built it like an empire." This time I assume the cuts - which tend more towards rhythm scratches and some Premier-like juggling of a line from Jay-Z's "Threat" on the hook - are by DSK himself. This track's a little slower and funkier; a cool head nodder though lacking the dynamic energy of the A-side.
"Juice Crew Law" is a 7" record that plays at 33 and comes in a plain black sleeve. It's released by DNA Records, DSK's own label, not to be confused with the famous NY label. The A-side also names B-Line Recordings, Specifik's label, so I gather this is a joint release to some degree. I'm not sure if this is limited to a specific pressing amount (they don't say as much). It's already sold out from DSK's bandcamp even though it just dropped like two weeks ago, but a lot of the usual online record shops seem to still have it, at least as of this writing.
