The Return Of the Box Cutter Brothers

So, late last year I did a video about the ill, Vietnam-themed records MF Grimm has started coming out with.  As a bit of an addendum in that video, I talked about another project his producer put out on their label: a CD by The Box Cutter Brothers.  The Box Cutter Brothers is the duo of producers Ayatollah (who's worked with everybody from Mos Def to Moka Only to Rakim) and Drasar Monumental (Grimm's producer), and it was a breakbeat CD, where Ayatollah produced the first half of the beats and Drasar did the second half.  The one I had in my video was their first album, but they'd actually put out two more by the time I made by video.  Part 2 was also on CD, and I think Part 3 was mp3-only.  But now Part 4 is dropping, and they're putting it out as a proper, vinyl LP.

But if you've kept up with this blog, you probably know I tend not to get terribly excited over strictly instrumental hip-hop.  It can feel like holding the blueprints instead of living in a house; I want vocals, I want the full song experience!  I've discussed this before, so I won't carry on about it.  But if you want to see why Box Cutter Brothers 4 really got my attention, look at the bottom left-hand corner of the picture cover... "Vocal Version."  Yeah, every track on here is a full, vocal song!  And they didn't go the expected route of wrangling all their friends and connections to make a producer-themed compilation album, like Marley Marl In Control or that DJ Bazooka Joe album on Dope Folks.  They're doing all their own rapping; like when Diamond D decided he didn't need Master Rob anymore.

And I'd say the Diamond D comparison is fairly apt, because neither of them are going to make anybody's Top Fives, they both know how to flow over their own work enough to make a solid record.  Ayatollah goes for a very low, literally whispered flow over his smooth, somewhat dark beats.  It's got a very atmospheric, organic feel that draws you right in.  He re-uses his vocals for two songs at one point, but it all sounds good, which is what counts.  Drasar, on the other hand, takes a very different approach.  Here, each song is very distinct, and he has a more bombastic style.  I'm not talking Mystikal or Waka Flocka levels here, he's actually got kind of a Pete Nice style; but after the A-side, you really feel the extra energy.  And instrumentally it's the same; he rocks some pretty crazy loops on his side.

And it's not just rapping over breaks.  There's cutting, plenty of vocal samples and hooks.  These are full fleshed out songs.  But, still, the production is primarily what's on sale here.  I recognized a few samples... a stray piano loop on the Ayatollah side, and they sampled by homeboy 2XL.  But even when I was familiar with something, it was completely re-purposed and contextualized into a new, unique instrumental.  The only weakness to this album is that there's no real single to grab you.  You know, like JVC Force's whole album was hot, but "Strong Island" was that amazing joint that immediately got everyone hype.  Drasar hits some nice, head-nodding peaks (and substantive topics); but there's still no "Strong Island" equivalent here.  The whole album is one tight listen, but you have to be prepared to settle in for something subtler than quick thrills.

So yeah, this is a full LP in a picture cover available directly from Vendetta Vinyl, and I assume will start appearing at the usual online retailers soon.  AccessHipHop had the first two CDs, after all.  And there is also a CD version of this one, for those who'd prefer that over wax, plus an LP/ t-shirt combo.  The fact that this is labeled a "Vocal Version" does suggest to me that an instrumental version might follow one of these days; but nothing's been announced so far, and this is the ideal version for me anyway.  I was impressed by this record, and I hope BCB 5 is a Vocal LP, too.