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QM has, I believe, had a hand in the production of some of his previous projects, but he's definitely better known as a MC than a producer. So I guess this is him striking out a bit. His brief description on bandcamp just tells us that, "[a]ll tracks were were played live and recorded in real time on the 4 track in one take." And as you can see on the cover there, this is "hosted by Young Ivy," his young daughter. If that sounds like it could be annoying, don't worry. It's sweet, and she's used sparingly, not to mention pretty low in the mix. If the cover hadn't clued me in, I would've thought it was just some movie sample occasionally getting sprinkled into the mix. It's not like that time MC Shan put his wife and kid on his record.
Anyway, let's talk about the actual music. This EP is more about creating a classic, Hip-Hop groove than breaking new ground. It's packed with familiar samples, like a chunky loop of Salt-N-Pep... err, the Isley Brothers' "It's Your Thing," or the opening track, which is 70% "Children's Story" with an extra little sample or two laced on top. Things get less recognizable in the second half, and often I'd be thinking I recognize a bassline from, say, Positive K's "Shakin'," but not whatever new elements it's being mixed with. It feels somewhat like it's taking us on a gentle tour from the late 80s and 90s through to a more modern, indie Hip-Hop sound.
It is strictly instrumental, so there's less to hang your hat on in a way. I'd be interested in a couple of these being turned into full songs down the road, although for the most part, I think these work best as they are. But you know, I can't imagine getting in the running to become anybody's favorite album or anything. This is more of a mood; something to nod your head to as you work in your office only to be surprised how much time flew by. Keeping the tracks short prevents it from slipping into the "and it just goes on like that" sand-trap that plagues a lot of instrumental Hip-Hop, where a basic loop gets run into the ground quick without anyone flowing on top of it. In fact, it almost feels like one, long song with a lot of change-ups than an EP or LP. I suppose the single take recording plays a part in that as well.
4 Tracks & S 20's was originally released in July with a very limited production of just 50 copies, which yes, has already sold out. But there's a second batch now, that's still available as of this writing from I Had an Accident Records. The cover is slightly altered (red border = 1st printing, green = 2nd), but it's the same track-listing on both tapes, with the same cool Fostex/ Akai print on the tape itself. It's a very inexpensive little release; just something to cop when you're looking to catch a relaxing vibe.
